Cool Places

Urban annoyances
The centre of the city is noisy, dirty and heaving with tourists so I try and stay away during the summer months. I think you’ll agree it makes sense to avoid encounters with mooning stag parties that block up Amsterdam’s cycle paths on their ubiquitous pub bikes! It’s tropical in Amsterdam this week. Temperatures are set to soar above 30 degrees. Cities are warmest of all so why not head towards the psychologically and physically cooling effects of trees, grass and water?

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Urban Oasis
One peaceful, shady sanctuary where I recently went foraging for elderflower is within a stone’s throw of the city centre. In Amsterdam Zuid-Oost there’s a lovely nature reserve called de Ruige Hof. The volunteers run all sorts of nature activities for children and adults. List of activities here. On the last day of the summer holidays, Sunday 5 July, children can make art from natural materials. Modern kids spend too much time indoors surveys have shown whereby they miss that contact with the natural world. So if you live in Amsterdam and want to let your children play and be creative in a safe environment why not head down to de Ruige Hof? Even if the club house is shut it’s a lovely place to walk and picnic throughout the summer.

Natuurvereniging de Ruige Hof
Abcoudestraatweg 77
1105 AA Amsterdam Zuid-Oost

Metro 50 towards Gein, get out at Holendrecht
Parking at the golf course ‘De Hoge Dijk’

More nature reserves in North Holland.

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Queen of the Gymkhana -Then and Now

When I was a gal I was pony mad and during summer weekends went to horse shows to compete in gymkhana and show jumping competitions. My sister, Christine Hardinge was the first one to get the horsey bug and aged about four I followed in her slipstream. She has made a career from horsemanship alongside her husband, Colin. Her career boasts major successes at top three-day-events and she has competed and won prizes at Badminton Horse Trials which most riders can only ever dream of achieving. See her impressive eventing credentials here.

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Recently, I’ve felt very nostalgic for those bygone, halcyon days of the gymkhana and have taken up show-jumping again. I have weekly lessons at the Hollandsche Manege and my sister, Chris recenly let me have a little jump around her school at home on the lovely, Crown Meteorite aka, ‘Rocket.’ See film above.

When I was in my teens I was very brave and the height of the jump never bothered me. In fact the higher the better. Nowadays, I’m quite a bit more cautious and riding-school horses are a whole different ball game anyway. The secret to show jumping over bigger fences is establishing a relationship of mutual trust with your horse and this is difficult with just weekly contact. The horse and you need to know each other so well that you become one unit. When that trust is established, the rider feels the sensation of flying over fences which makes show jumping such a satisfying and thrilling sport.

Below a photo of my old 14.2 h.h pony, The Baron XI. After competing in the juniors I went on to compete in seniors with the love of my life, Red River V, a 16 h.h bay thoroughbred, pictured right.

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Ten Surprising Facts about Tulips

  1. The tulip originated in Turkey and was named after the traditional tulip-shaped turban.
  2. Sixty percent of the world’s bulbs come from the Netherlands and three-quarters of all global trade in flower bulbs passes through NL.
  3. Export value of Dutch bulbs is approx. 600 million euros annually.
  4. It takes 7-12 years to cultivate a flowering bulb from a seed. This slow growing process partly fuelled tulip mania in the 17th Century.
  5. In the early 1600s tulip mania gripped the Dutch. Bulbs were traded for extortionate amounts of money. Often the bulbs were ‘virtual,’ passing from speculator to speculator, but never physically changing hands.
  6. The much-coveted ‘broken’ variety (with striped petals) which fetched the highest prices during tulip mania were the result of a virus in the plant.
  7. The world’s first economic bubble burst in February 1637 in Haarlem, possibly triggered by the outbreak of bubonic plague in the city.
  8. Author Deborah Moggach wrote ‘Tulip Fever’ which will be released later this year as a film. I highly recommend this novel if you like your fact peppered with fiction!
  9. In WWII, many Dutch citizens were forced to eat tulip bulbs during the famine of 1944. This period is known in Dutch as the hongerwinter. Usual food supplies were either blocked or diverted to Germany. Eighteen thousand people died of malnutrition during the exceptionally hard winter.
  10. The Keukenhof attracts around 800,000 foreign visitors each year. You have till 17 May 2015 to visit this cornucopia of flowers covering 70 acres!
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Wellies or Flip-flops?

Yes, the festival season is upon us. I’m not usually one for muddy fields, improvised toilets and lots of hubbub but this year I have booked two literary festivals! Firstly, the legendary Hay Festival in the Welsh Marches. Growing up in the Wye Valley I remember Hay-on-Wye as a tiny market town on the verge of dereliction. In 1893 my grandparents’ marriage was registered in Hay so family connections in the border area run deep. But to me it was always a sad place where out-of-fashion Welsh Mountain ponies were auctioned for a knock-down price to the meat man.

But then in the 1970s entrepreneurial hippy (Oxymoron?) Richard Booth declared himself the King of Hay, and Hay an independent Kingdom of Books! Suddenly Hay became a destination. Hats off to the self-appointed King, he kept out corporate investors and big retail chains ensuring the town comprised independent traders that serve a lively community where sheep farmers rub shoulders with Y-generation idealists. And the cherry on the cake, the annual descent of the world’s literati each spring. My line up for Hay Festival includes; Michael Morpurgo, Meera Syal, Helen MacDonald, Marcus Brigstock and an African and Welsh harp concert.

Then, in the autumn, and I’m already quaking in my flip-flops, I’ve enrolled for the York Festival of Writing. A mind-exploding selection of workshops awaits me AND two ten-minute slots with agents where I can pitch works in progress. But which WIP to choose of my six Nano projects? Or a totally new idea altogether? My business English students have to prepare an elevator pitch for their homework and I’ve decided I need to join them. I found this short session by Michael Hyatt especially useful for writers. https://www.youtube.com/watch?v=-t1ar_IpmUU

So what’s on your festival agenda this year? Will you be donning silly footwear or slip on your old faithfuls and stay home?

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Do you live abroad and write fiction or poetry?

Expat writers’ group, Writers Abroad, is seeking submissions for our fifth anthology.

Writers Abroad will begin accepting submissions for their 2015 anthology, Kaleidoscope, on May 1, 2015. Our expat writers’ group is asking for submissions of short stories, flash fiction, and poetry on the theme of light. The theme is open to interpretation: your light might dispel evil, or reveal something unexpected in the darkness; perhaps your character ‘sees the light’ in a revelation; or light may have an important role in your setting. Firelight can destroy or warm and illuminate; or you may be inspired by the difference in light in other countries.

This year, Writers Abroad will be donating all profits made from the anthology to Room to Read, an international charity striving for a world in which all children can pursue a quality education, reach their full potential and contribute to their community and the world. To achieve this goal, they focus on two areas: literacy and gender equality in education. They work in collaboration with communities and local governments across Asia and Africa to develop literacy skills and a habit of reading among primary school children, and support girls to complete secondary school with the life skills they’ll need to succeed in school and beyond.

Author Christopher Allen will be writing the foreword for this anthology. He is the author of Conversations with S. Terri O’Type (a Satire), an episodic adult cartoon about a man struggling with expectations.

The anthology will be print published and later available as an e-book.

SUBMISSION DETAILS:

Expat Writers Wanted

Writers Abroad fifth anthology, entitled Kaleidoscope.

Open to entries: May 1 – June 15, 2015.

Entrants: Expat or former expat writers.

Fiction: up to 1700 words.

Flash Fiction: 500 words.

Poems: 30 lines.

Theme: Light.

Entry rules:

  • Contributors must be expat or former expat writers who are living or have lived outside their country of origin.
  • Word Count: Fiction – 1700 words; Flash Fiction – 500 words; Poems – 30 lines. Entries above these specifications will not be accepted.
  • All submissions must be previously unpublished either in print or online
  • Open for submissions between Friday 1st May and Monday 15th June 2015
  • Submissions must be in English
  • Manuscripts must be submitted via the link to Submittable on this page from 1st May
  • Queries can be made only via the contact button on the Submissions page
  • Entries are free
  • Only one entry per author
  • Each author should include a third person biography of a maximum of 40 words, which includes information about their expat status and website/blog address
  • Successful authors will be informed within two weeks after the closing date
  • We cannot provide feedback on submissions, but successful stories may be edited and authors required to make minor changes for publication purposes
  • Copyright will remain with the author and the stories will be published in an anthology in a number of formats
  • All entrants must be over 18.

For additional information, full submission rules and guidelines visit: www.writersabroad.com

 

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Parrots and Mermaids in het Stedelijk

The Oasis of Matisse is the largest-ever retrospective of work by Henri Matisse (1869-1954) to be shown in the Netherlands. The exhibition traces the multi-sided talent and artistic development of Matisse from his early work through to the dazzling cut-outs of his later years.

When I studied textiles at Goldsmiths in the eighties, Matisse’s work was very much looked down upon as merely decorative and lacking content and depth. Many textile students were accused of ripping-off his line drawings and two dimensional patterns in an attempt to cover up their lack of talent. Sexism was rife in those days, the largely male-dominated fine art department looked down on its poor, female cousins in the textile department. I admit to joining the anti-Matisse brigade in an attempt to appear cool and superior to artists who were only capable of making decorative pieces. Through the years though, I’ve mellowed and on Friday at the opening day of his retrospective in het Stedelijk, my soul soared with Matisse’s in his delight of pattern and colour. I felt emboldened by his refusal to give in to negativity and the physical restraints of illness and old age.

The exhibition comprises two parts. On the ground floor Matisse’s work is placed in direct dialogue with notable works by van Gogh, Picasso, Cezanne, Delauney, Chagall, Sluiters and many others. The top floor is devoted to his later cut-outs which he created when he was confined by illness at home. I particularly love his monumental cut-out piece, The Parakeet and the Mermaid.

Matisse has pinned cut-outs all over the walls of his home. When he opens a window, the shapes tremble in the breeze. Matisse says: “I have made a little garden around me, where I can walk.”

On the mezzanine floor there’s a workshop area where you can have a go at creating cut-out pictures yourself. Suitable for children aged 8 to 88 years. :)

The exhibition at the Stedelijk runs until August 16th 2015. Timed entry possible with pre-booked, online tickets. Entry fee, 20 euros or supplement to Museum Card, 5 euros. DO NOT MISS!

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Ladies & Gentlemen, March 19, 2015

susancarey:

So pleased to be selected to have my story performed on March 19th in Leeds. Go if you can!

Originally posted on Liars' League Leeds:

Liars’ League Leeds is delighted to present another night of marvellous storytelling. This Thursday, our Ladies & Gentlemen event takes you behind the scenes at the Coney Island freakshow, into the inner sanctum of the mysterious Cimmerian Club, to a romantic dinner-party for, uh, six, and up on stage for a stand-up’s worst nightmare…

For your entertainment and edification, we will be reading…

A Sideshow Story by Joe Saxon
Grim by Liam Hogan
The Comeback by Rosalind Stopps
The Cimmerian Club by Susan Carey
Knights Round A Table by Elizabeth Hopkinson

Also, FREE BOOKS! (if you are clever enough to triumph in our almost-famous half-time books quiz.)

You can find us at the wonderful Crowd of Favours pub on Harper Street, Leeds: https://www.facebook.com/TheCrowdOfFavours

Entry is FREE, FREE I tell you! Roll up on Thursday, March 19 from 7pm and – once we’re all sitting comfortably – we’ll…

View original 15 more words

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Getting in a Pickle!

On 14 and 15 March an Iamsterdam event is taking place called, 24H Amsterdam. All sorts of enterprises and entrepreneurs are opening their doors to public who might not usually get a chance to sample their services or wares. One of these events was the opportunity to sniff around the local pickle factory. Kesbeke have been pickling onions, gherkins and piccallili in Amsterdam since 1948. It’s a family-run enterprise. They started small, selling their hand-bottled products as street traders; taking their pickles on wooden handcarts and selling them in all the neighbourhoods of Amsterdam. The Kesbeke logo incorporates the three crosses which are part of Amsterdam’s coat of arms. The business is also run under the triple-p concept which means making a profit but also taking into account peoples’ needs with respect for the planet’s resources.

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With the current trend for locally-sourced products, Mr Kesbeke and his crew were overwhelmed with the amount of visitors wanting to learn more about their factory on the 24H Amsterdam open day. Fortunately our group also had about 10 minutes with Mr Kesbeke himself who still has a passion for sharing his extensive knowledge of the pickle trade.

Only ten people work on the factory floor but in one day they can process a mind-boggling 100,000 jars of pickles! Their signature product is pickled gherkins. Gherkins grow in sub-tropical climate and are all picked by hand and then shipped to Holland for processing. First they are washed, then potted, then vinegar and sugar are added and finally the product is pasteurised to kill all bacteria. They then go to the warehouse where they are labelled and eventually delivered. There is also a shop opposite the factory entrance where they sell more artisan products as well as their usual fare; Fijne Tafelzuren b.v., Adolf van Nassaustraat 2-8, 1055 RP Amsterdam

Kesbeke pickles is a national product, only sold in the Netherlands although there is a growing market in Saudi Arabia?! In the old days there were ten pickling companies in Amsterdam but now Kesbeke is the only remaining one. Nice to know there’s a thriving company employing local people on one’s doorstep. So the next time you spice up your meal with some picallili, spare a thought for all the people who have worked hard to bring it safely and tastily to your plate.

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FREE magazine by Writers Abroad

Hooray, it’s here; the second edition of Writers Abroad Magazine. Spring has sprung and a feast of FREE reading awaits you! Tickle your romantic taste-buds with short stories of love lost, love promised, love yet-to-blossom and love totally flabbergasted. The flabbergasted one was penned by yours truly. A husband reveals a secret no wife should ever have to deal with.

It also includes; a quick and tasty recipe for summer canapés, poetry that will make you see the so-called ordinary from a fresh perspective, book reviews, an interview with poet and novelist Sue Guiney, the ups and downs of living in France, a disastrous but funny camping holiday and two of our members reveal how living in rural northern Ireland and Yokohoma, Japan has influenced their lives and writing. Oh and asides from that the pleasures and embarrassments of visiting an onsen (hot spring) in Japan are shared, also the evolving nature of English is discussed and to cap it all, a short grammar lesson for language students. Individual members’ writing careers and published books are also showcased.

Last but not least there is a chance to sign up for the call for submissions in our forthcoming anthology, Kaleidoscope. Are you an expat who writes FICTION or POETRY? Are you looking for a chance to be published and support our chosen charity, Room to Read? Our theme this year is light and we will be accepting submissions from May to mid-June. Make sure you don’t miss the boat and sign up via the link in the editorial section of the magazine.

To read online, click here or on the front page below. You can also download the magazine in PDF here The links will allow you to read the magazine on-line or alternatively download a PDF copy which you can read on your PC (including the Kindle app if you have it), tablet,  iPad or android device. The best way to read the PDF version is through a PDF reader app which are free to download.

Happy reading :)

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Between Art and Kitsch

The Dutch have an ambivalent attitude to their own traditional blue and white Delftware. I rarely see it in Dutch homes, only in museums or tourists shops. The blue and white pottery leaves me a bit cold, but the tiles on the other hand I do really love. So much so that I was lucky enough to pick up a table top of Delftware tiles, 50 in total for quite a low price. Now, I am not known for my canny way with money, in fact, according to husband I have got ‘a hole in my hand.’ Not a medical condition, just a Dunglish expression roughly equivalent to the English proverb ‘money burns a hole in his/her pockets.’

Anyway, this time, I think I have come up trumps. I believe these tiles are around mid-eighteenth century, in decent condition and highly decorative. They show mainly trades and occupations, a rosy image of Holland with every citizen happily getting on with their work and occasionally having time for a drink, a smoke or flirting with the dairy maid.

The term, Delftware is derived from the Dutch town of Delft where from the seventeenth century potteries produced hand-painted tin-glazed pottery of high quality which was exported all over the world. Alongside their other wares, the potteries in Delft produced tiles but these were not a major product. Most Dutch tiles were manufactured in Rotterdam, Amsterdam, Utrecht, and Gouda. In northern towns such as Harlingen and Makkum tiles were often the main line of business.

Delftware tiles are eagerly collected. Their hand-painted illustrations provide a unique insight into life in Holland at the time. I saw a few for sale on an antique dealer’s stall at the Noordermarkt last weekend. They weren’t as old, or as decorative as mine and I was told they retail at between 40 and 50 euros apiece! So pretty soon you will see me on the Dutch Antiques Roadshow, Tussen Kunst en Kitsch and I’ll say ‘oh, I think they’re worth about 200 euros all together’ and the expert will say, ‘add a nought to that!’ Clutching my heart, I will be dumbstruck with shock and head straight for the nearest gin and tonic to quieten my nerves. Or failing that I will keep them and enjoy them for as long as I can.

 

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